Master Thesis
Student: Sabah Mohsen Abboud
Supervised by:Asst. Prof.D.r. Taghreed Abdul-Ameer M. Al-Khafaji
Major: Language and literature of the holy Quran
Publish Date:2024
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Abstract
In the name of Allah The Most Gracious The Most Passionate Praise be to Allah, Lord of the Worlds, and may Allah’s prayers and peace be upon Mohammed and his good and pure progeny.
But after:
Undoubtedly, the Arabic art in general and Poetry in particular is regarded as a rich source of studies which researchers are interested in. The study(Holy Recall at Dr. Jasim Mohammed Jasim Al- Ajja’s Poetry) uncovered the trace and impact of the holy recall in the poet’s culture and knowledge. It tries to shed light on such a phenomenon and the range of the poet’s interaction in investment of the holy in the poet, since the holy is regarded as an important branch of the intellectual and literary inspiration. It can also affect the writers experiences through the effectiveness of the textual and present recall for the absent text in the intellectual and cultural components.
To delve into such a study requires to divide it into three chapters preceded by introduction and preface and followed by conclusion involving the results the researcher arrives at. The preface reviews the conceptual frame of the title. Chapter one entitled (Cultural references of the holy recall at Dr. Jassim Al-Ajja) considers it as an investment for the references in the literary discourse to be more rhetorical, elegant and strong style and language. In chapter two, the holy transfigurations at his poetry discovered plenty of appearances recall present at his poems. The last chapter is about the mechanisms of the holy recall at Dr. Jasim Al-Ajja’s poetry.
Obviously, the conclusion explained that the contemporary poet, when recalling the holy, found the safe refuge and the potential energy to show his expression about the data of the era. In addition, We found the poet becomes critic in some of his poems by means of conjuring ideas and critical theories which become sacred in the critics as a theory of (slaves of poetry). Furthermore, it referred to the idea of selecting the articulations which confound the critics(bilateral articulation and meaning) other than other results.
