A master’s thesis tagged with the image of the Prophet Muhammad in modern Arabic artistic prose was discussed in the Faculty of Islamic Sciences – Department of Arabic Language – an analytical study in selected models of the student Hassan Hadi Muhammad Al-Hilali and Ali Al-Sadiq Al-Amin Hall in the college

The message aims to stand on the personality of the Noble Prophet Muhammad (may God bless him and his family) and reveal its dimensions and hidden through three different models of Arabic artistic prose in the modern era. It is united by one common concern, which is to focus on the personality of the Prophet and to try to highlight his imagined image fourteen centuries after his departure.

The thesis attempts to trace the paths of photography in the three different models, and according to the requirements of the research, it was divided into a preface, and three chapters followed by a conclusion. It was also full of modern texts that were concerned with this.

Also, this study, with its chapters and preamble, tried to enlighten the visions of cultural criticism in its applications related to the study of images without fully adopting its origins and rules.
The three studied models, after their analysis, confirmed that the image of the Noble Prophet Muhammad in modern Arabic artistic prose is nothing but a (mercurial) image that is subject to transformation and change despite the sanctity of its owner, according to the circumstances, circumstances, and conditions surrounding those who formulate this image and reformulate it from writers and writers.